In order to solve this problem, each interval will have sub-categories. This brings up a problem as we need to place seven intervals between an octave which is made of twelve half steps. These seven intervals are placed within an octave. We can continue naming these intervals in the same manner up to the seventh (the eighth being the octave which is the same note as the first note). The distance between two consecutive notes is called a second. These seven notes are placed within an octave. There are seven different note names found in western music as follow: A B C D E F G. There are 6 whole steps (or 12 half steps) in an octave. Being able to hear intervals wider than octaves is useful, but we will focus on the smaller intervals first as this will have an immediate impact on your music. The octave determines the distance between two notes of the same name. The widest interval we will work with in this guide is called an octave. All the following notes will be measured in reference to that root note. That root can be placed anywhere on the fretboard. The reference note used to measure the intervals is called the root. The smallest distance between two notes found in western music is a half step (1 fret on the guitar). The unit of measure used to measure these intervals is called "step." The distance between these two notes is called "interval." A note becomes meaningful if it is heard in relation to another note. The sound of the note heard might be interesting depending on which instrument generates it, but it does not usually bring much emotion to the listener. Because relative pitch is so much more practical and accessible than perfect pitch, we'll concentrate our efforts in developing an excellent relative pitch ear in this guide.Ī note played by itself does not have much meaning. It is also used to harmonize, transpose or reproduce a melody by ear without the need of reading a score. This skill is primordial in order to sing or play a song correctly. Relative pitch is the ability to hear a desired note in reference to another. Relative pitch is in my opinion preferable. It is very hard for someone with that ability to enjoy music as all the notes heard will be analyzed by the listener. Perfect pitch does have great benefits when it comes to transcribing melodies on the spot, but also comes with its share of disadvantages. This ability is not very common but can be learned with proper training. Someone with perfect pitch will be able for example to name the pitch of the sound of a doorbell ring. Perfect pitch is the ability to name or reproduce a pitch without any need to a reference note. It will require patience and dedication, but will truly help your life as a musician and music appreciation in general if you spend the time. Keep in mind that developing a good ear takes time and requires daily practice. This guide should give you some good practical ways to improve your skills. As a musician, it is important to develop a good ear in order play what you want.
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